Jonathan D. Haskell is a 20-year veteran in the independent music publishing community. As
Vice President of Publishing for ALIBI Music, he has expanded the company’s publishing
business by over 1,200 percent in annual revenue since joining in 2016. ALIBI is now a leading
provider of professionally composed music and sound effects serving a global clientele of film
studios, TV networks, trailer houses, streaming platforms, advertisers, video game companies
and independent creators. Featuring 400,000+ audio files including stems, alt mixes and
cutdowns, ALIBI’s robust library is known for its high quality and versatility.
 
Jonathan is also the Head of Publishing for Glow Music Group, a recent recipient of the 2024
Association of Independent Music Publishers’ Publisher of the Year Award. Glow Music Group is
a music licensing and publishing company representing over 1,500 indie artists, with recent
placements in the Oscar-nominated films A Different Man and American Fiction; television
shows such as Station 19, Chucky, Seal Team, America’s Funniest Home Videos, Cobra Kai, and
Grey’s Anatomy; and advertisements for brands like Michael Kors, Gatorade, Coke, and CVS.
Additionally, Glow Music Group manages an extensive vintage catalog of over 12,000
copyrights. The company was founded by Jonathan’s wife, music mogul Kari Kimmel.
 
Prior to ALIBI and Glow, Jonathan worked under AIMP founder Michael H. Goldsen for eight
years as Copyright Manager at Criterion Music, which was recently acquired by Universal Music
Group. He began his career at ASCAP after graduating from the University of Southern
California with a Bachelor of Science degree in Music Industry.
 
Jonathan recently served as Treasurer of the Los Angeles Chapter of the Association of
Independent Music Publishers, and is a member of the California Copyright Conference and
Songwriters of North America. In his spare time, he coaches both of his kids’ baseball teams,
and continues to write, record and perform music in his bands Seven Saturdays, Glasz and
POLLA, with acclaim from such notable outlets as Pitchfork, Stereogum, The Los Angeles Times
and NME, which described his music as “serene and beautiful… the kind of music to stare out of
aeroplane windows to.”